#Incredible themes

[mistofstars]

My oh my, War and Peace has so many fantastic themes besides the romantic elements (which, imho, don't play the major part).

It's about hope, belief, empathy, how easily you can be corrupted when you are around the wrong kind of people, morals, peace of course and its absence, forgiveness, pride, family...

The romance seems like a side quest tbh 😂

[mimimar]

i've been completely charmed by witch hat atelier♡

(art prints)

[escyn]

Old Wounds Reopened[flood]: Kyoshi Warrior Sokka | Blue Spirit

Zukka Week Day 3 (id in alt)

+some close-ups bc I love them so

other things from ZW2024: Day 5 | Day 6 | Day 7

[bevioletskies]

If God doesn’t want us to love each other, then what’s the point of having God in this world?

GEMINI NORAWIT & FOURTH NATTAWAT in TICKET TO HEAVEN (2025)

[absolutechaosss]

Do you ever go insane thinking about how every member of Laios' party is extremely atypical for their species, but a lack of exposure and understanding smoothes out these differences and makes everyone think they're the "typical" representation.

Senshi is terrible with other dwarves since he has no practical interest in mining or weapons craft. We cannot know this until Namari and later, Senshi's backstory are introduced. When we see him interact with dwarves, it's awkward and clear there's a fundamental disconnect.

Chilchuck is incredibly tall for a half foot and as such has to manage his weight more than other half foot dungeoneers so he doesnt set off traps. The first detail takes the changlings to properly understand, the second is referenced in text but is fully explained in additional materials. It is plot relevant that people who don't have the exposure to half foots might not even realize they're their own species.

Marcille as a half elf is kind of obvious to many of the elves who encounter her and they're deeply cruel and assume she's driven by a desire to be able to have children but the party never notices and Senshi especially thinks of her as a typical elf even though in truth she's so outcast she could never dine with her mother at the queens table.

Laios and Falin are a bit more complicated, since we as the audience do have context for most of tallman culture, since it mirrors our own mostly, but both of them have magical aptitude that both people like Marcille, who has a lot of access to mana and people like Chilchuck, who has very little and no magical training, fail to understand how isolating it is to have that much potential and aptitude.

Arguably Toshiro and Namari fall into this as well. Toshiro looks like the embodiment of the silent but noble warrior, but his own party and extra material confirm that he's abnormally shy and introverted, something that makes it hard for him even in his own family. Meanwhile Namari is able to stand on her own as a weapons expert and "typical" dwarf, but total dwarves who are total strangers like Dya know who she is and resent her.

Arguably a lot of dungeon meshi is about peeling back layers and assumptions not working out, but it's so great that every member of the core party gets interpreted by others (and maybe the reader) as "typical", especially with the skills line up, as a human fighter, halfling rogue, and an elven mage are so basic a stereotype. But none of are able to achieve that standard. These assumptions and misunderstandings only thrive because each party member is so inexperienced with both the biology and culture of the others. The only way they gain context is either interacting with a wider pool of people or experiencing it for themself. Everything in this story is so layered and I love it.

[heartscrypt]

the web - fear of manipulation and lost control made manifest

[painfully-unoriginal]

it's like burning...

[featherymainffins]

I hate to say it but I might have to admit that Redditors can be pretty based sometimes

[fkapommel]

First flower of my House, wilted

Harrow the Ninth, Muir/ Bradamante at Merlin’s Tomb (detail), Alexandre-Evariste Fragonard/ The Great Flood (detail), Joseph-Désiré Court/ Metamorphoses, Ovid/ Cemetery Statue in Green Mount Cemetery, Maryland/ Our Lady of Tears, Unfound/ Photography, Unfound/ Harrow the Ninth, Muir

[marzipanandminutiae]

Average historian denies all gay relationships statistic false!

No-Lesbians Ruth Franklin, who lives in an archive and denies any possible sapphic interpretation of Shirley Jackson’s work 50 times a day, is an outlier adn should not be counted

[velvetwyrme]

👀💦!!

I was talking about farmers market shenanigans in the future of Flipping Fate with @collegecomics18 a while back and well... I had to doodle some of the ideas we had. (Stretch brings Edge and the reader along with him, and everyone at the market SWOONS @ them both. Sorry Stretch...)

[anotherpapercut]

my friends and I had a collage night where we all worked together to make masterpieces

[paradamaxima]

CoD fandom stop being ableist towards Frank Woods challenge (impossible)

Not only do I see posts from people whining about how basically “Woods is useless now” but I even saw someone draw him without his wheelchair and standing upright

If you can’t draw wheelchairs, either learn to do it or don’t draw the character at all; wheelchairs aren’t even hard to draw in the first place either, you’re just ableist and lazy

Love how notable it is that everyone’s now treating Woods like a useless burden when what happened to him wasn’t even his fault and also… that’s completely untrue because disabled people are still able to do plenty of shit (not to mention, that sentiment is as ableist as you can get because it stinks of eugenics)

Reminds me of how real life veterans are treated after not only physical injuries that result in them becoming physically disabled but also mental trauma that result in them becoming mentally disabled/ill; if you don’t view real life veterans as useless burdens, why would you view Woods as one?

[hajihiko]

My friend Hajimmy Hinata birthday post🎆🎉

[i-heart-hxh]

One thing that I deeply love about HxH as a whole is how seriously it takes the trauma of its characters.

Rather than things that happened in the characters' pasts being relegated to just simple flashbacks, their pasts legitimately feel like they shaped who they are as people in the present of the series, in both obvious and subtle ways.

I love how the significant events of their past and how they grew up are shown continuing to affect them even many years later, and not just in a straightforward "Oh, that's sad," or "This one personality trait/goal and nothing else came from that," kind of way. They make decisions based on what they've been through, the ways they understand the world are different as a result of it, what they prioritize and strive for often comes out of it, even their nen choices are often related to it.

It gives the characters a strong sense of being human, and I think this theme of trauma and how it affects people is something Togashi explores with unusual sensitivity, care, and weight. HxH doesn't lose sight of how much a deep loss or a life of abuse or neglect or abandonment shapes someone, and at the same time the narrative offers so much hope for the way connections with others provide second chances, meaning, and eventually healing.

I could go into examples, but honestly the series is full of them, almost wherever you look. All of the main four especially exemplify this. It's one of the elements that makes HxH so special to me, why it resonates with me so deeply. Plenty of stories explore this kind of theme, and a lot of them do it well, but HxH does it in an especially convincing and beautiful way, in my opinion. Because the way the characters are affected is so genuine and multifaceted, it's easy to empathize with them and find meaning in their struggles.

[galedekarios]

gale romance + hands

mercy is in your hands, pour me a little. and tenderness too. my need is great. -mary oliver

it is enough, this moment, not to speak. to touch your hand. -rosanna warren

i clung to your hands so that something human might exist in the chaos. -hélène cixous

i can't hold enough of you in my hands. -franz kafka

how beautiful your soul is. and your hands. -viriginia woolf

tenderness is in the hands. -carolyn forché